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Indian Film Is Being Adapted Into a Broadway Musical

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Bollywood is coming to Broadway.

“Come Fall in Love — The DDLJ Musical,” based mostly on the Indian filmmaker Aditya Chopra’s 1995 hit “Dilwale Dulhania Le Jayenge,” which has change into a cultural touchstone of latest Bollywood, will open throughout the 2022-23 season, producers introduced on Friday.

The movie, which was Chopra’s directorial debut at age 23, is a romantic comedy that tells the story of Simran, a younger Indian American girl who’s organized to be married to a household good friend who convinces her strict father that she ought to have a summer season journey in Europe first. (A captivating American throws a wrench into her logical plans.)

Chopra, who additionally wrote the film, generally known as “DDLJ” and whose title is translated as “The Braveheart Will Take the Bride,” stated in an announcement on Friday that he was excited to marry the worlds of theater and movie within the undertaking, which he’ll direct.

“Twenty-six years later, I’m going again to my authentic imaginative and prescient of the story of ‘DDLJ,’” he stated, “a love story of two cultures … two worlds.”

He added, “I’m terribly nervous and extremely excited.”

The present will probably be produced by Yash Raj Movies, India’s largest movie studio, and it will likely be a collaboration between an American and Indian inventive group. Nell Benjamin (“Legally Blonde,” “Imply Women”) will write the e-book and lyrics, and the Indian songwriters Vishal Dadlani and Shekhar Ravjiani will compose the music. Choreography will probably be by Rob Ashford, who received a Tony Award for “Completely Trendy Millie,” and Derek McLane (“Moulin Rouge!,” “Hairspray Stay!”) will design the set.

The musical can have its world premiere on the Previous Globe Theater in San Diego in September 2022, with Broadway dates to be introduced later.

“DDLJ,” one of many highest-grossing Indian films of all time, was a hit with critics in addition to on the field workplace and positioned twelfth on the British Movie Institute’s listing of the highest Indian movies of all time.

Writing for RogerEbert.com in 2012, Omer M. Mozaffar characterised the movie as a Bollywood model of a Disney princess story, with a younger girl “feeling trapped by the standard patriarchy, searching for freedom via discovering the world, however lastly discovering it via silent, however inappropriate love.”

A worldwide casting search is underway.

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