Home » HBO’s “We’re Here” visits Grand Junction, Colorado for season two finale

HBO’s “We’re Here” visits Grand Junction, Colorado for season two finale

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Grand Junction isn’t broadly recognized for its LGBTQ scene — at the very least not but. That’s one cause the creators of HBO’s “We’re Right here” had been interested in the city on Colorado’s Western Slope, the place they filmed the present finale in late September.

On Nov. 29, the native queer group will likely be thrust into the nationwide highlight when the episode airs in all its fabulous wigged and sequined glory.

“I don’t know if anybody ever had unimaginable drag queens strolling by way of Colorado Nationwide Monument, however as of this episode that may have occurred,” mentioned Peter LoGreco, the present’s director and govt producer.

LoGreco is referring to the opening scene, when hosts Eureka, Bob the Drag Queen and Shangela go pose-for-pose atop the enduring pure constructions that give Mesa County its identify. (“Apparently these are usually not mountains; they’re mesas,” Bob the Drag Queen remarks.) That’s proper earlier than the trio struts by way of downtown wearing lavish gold outfits, turning heads and attracting feedback about “gold fairies” as they go.

The queens’ quest: to remodel three locals into masters of drag utilizing make-up, costumes and choreography in preparation for a public efficiency on the finish of their keep. Followers of the TV present know the transformation is rarely purely floor degree. “We’re Right here” deliberately showcases locations perceived as conservative or at odds with progressive concepts about gender and sexuality to each spotlight and, importantly, uplift the LGBTQ scenes.

With greater than 60,000 residents, Grand Junction is the most important metropolis on the Western Slope and a hub for the LGBTQ group, which encompasses residents from the encircling rural areas. That the city was the backdrop for the season finale was principally a timing coincidence, LoGreco mentioned. However due to that, the crew purposefully spotlighted three transgender locals: Dustin, Taylor and Angie.

Supplied by Greg Endries/HBO

Grand Junction resident Dustin Holt tries on wigs as he prepares to carry out drag for the filming of HBO’s “We’re Right here.”

“That’s not one thing we’ve completed earlier than and it was a really particular selection taking a look at the place we’re as a society — what appears to be loudest subject within the cultural dialog?” LoGreco mentioned. “Trans visibility is a type of issues. We discovered a vibrant and enormous group of trans folks there.”

Visibility was the first cause Dustin Holt determined to take part within the present. Holt makes use of a wheelchair as a result of he has spastic quadriplegic cerebral palsy and lives together with his greatest good friend and caretaker, who helps him dress and use the toilet. Holt is a self-described “open e book” with a YouTube channel that includes movies about his transition and drag exhibits through which he’s carried out.

However the intimate moments of his each day life hadn’t been equally broadcast till the present. He determined to ask the movie crew in on them in hopes it conjures up different in another way abled folks.

“Rising up, for me, there was not a whole lot of illustration of individuals being in another way abled, not to mention me being trans,” 27-year-old Holt mentioned. “That may be a big factor I had overcome once I began transitioning as a result of it wasn’t talked about the place I grew up.”

Participant Taylor Corpier, 23, described Grand Junction’s LGBTQ scene as “hidden” and, equally to Holt, he needed to indicate the remainder of Colorado that the world doesn’t match one archetype. It was additionally essential to him to lift consciousness about occasions, resembling his weekly espresso meetup, that may assist welcome extra locals into the group.

“Lots of people, once they consider the Western Slope, they consider conservatives,” mentioned Corpier. “Now we have this big alternative to place ourselves on the map and let different folks know we’re right here and we exist.”

The queens observed the stress between satisfaction and notion throughout their go to, because the pro-Trump and Blues Lives Matter iconography juxtaposed the vibe from the folks they had been assembly. For instance, filming synced up with the Grand Junction Satisfaction celebration, which happened on an underground degree of a parking storage. Eureka was fast to notice it felt like a personal occasion relatively than an out-and-proud celebration.

“The rationale for satisfaction is to be out and proud within the space the place you reside — seen, seen, how highly effective you may be as a group, proudly owning that house you reside in,” Eureka, who mentored Corpier, advised The Denver Put up. “Actually you can be a block away and never even understand it was occurring.”

The top-of-episode drag present was one night, however Eureka hopes the affect of the queens’ go to will last more, empowering LGBTQ locals to “cease hiding” and fostering larger acceptance within the Grand Junction group.

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